Images borrowed from Thomas Moore Whaun [35 of 51]
- AM1523-S6-F57-: 2008-010.3995
- Item
- 1928
Part of Paul Yee fonds
Item is a photograph showing a group portrait. Inscription states "Picnic in [North] Vancouver."
73 results with digital objects Show results with digital objects
Images borrowed from Thomas Moore Whaun [35 of 51]
Part of Paul Yee fonds
Item is a photograph showing a group portrait. Inscription states "Picnic in [North] Vancouver."
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, centre) and fourth wife (bottom row, third from the right).
[Full-length studio portrait of woman in formal Japanese dress]
[Studio portrait of a woman in formal Japanese dress holding a stringed instrument]
[Studio portrait of three women in traditional Japanese dress]
Photograph shows a topless woman sitting with a stringed instrument, a woman with a fan reclining on her side on the floor and another woman laying on the floor reading a book.
[Studio portrait of three young women dancing in traditional Japanese dress]
[Group portrait of Yip Sang wives and daughter-in-laws]
Individuals identified are Yip Sang's third wife (bottom row, centre) and fourth wife (bottom row, third from the right).
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, fourth from the right) and fourth wife (bottom row, third from the right).
[Full-length studio portrait of woman in formal Japanese dress in front of mountain backdrop]
[Studio portrait of a woman in formal Japanese dress sitting in chair]
[Studio portrait of three women in traditional Japanese dress holding sticks and a sword]
[Studio portrait of two women in traditional Japanese dress kneeling on the floor playing a game]
The album consists of twenty-five photographs of Chinese landscapes and architecture and twenty five portraits of men and women in traditional Japanese dress.
[Studio portrait of a woman in formal Japanese dress sitting on a chair holding a fan]
The woman's robe has been hand coloured to resemble the American flag.
[Studio portrait of man pulling a rickshaw carrying two young women in traditional Japanese dress]
[Studio portrait of three women in formal Japanese dress]
[Studio portrait of three women in traditional Japanese dress]
Photograph shows two women sitting on a bench and a third woman standing.
[Studio portrait of two men and two women in traditional Japanese dress]
Photograph shows a man standing behind a large wooden carrying tray, another man crouching on the ground holding a pole, and two woman sitting on the floor smoking.
[Studio portrait of two topless women in formal Japanese dress]
Photograph shows one woman crouched in a wash barrel and another woman standing beside her with a bucket and towel.
[Studio portrait of two women and a man in formal Japanese dress]
Photograph shows one woman standing holding a fan, another woman kneeling on the floor holding a stringed instrument, and what appears to be a man wearing a scarf around his head kneeling behind a window.
[Studio portrait of two women in formal Japanese dress]
[Two women in formal Japanese dress kneeling on a deck]
One woman is holding what appears to be a Japanese lantern.
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, third from the left) and fourth wife (bottom row, third from the right).
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, fourth from the left) and fourth wife (bottom row, third from the right).
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, fourth from the left) and fourth wife (bottom row, third from the right).
[Group portrait of Yip Sang wives and daughter-in-laws]
Photograph was possibly taken as part of a wedding celebration. Individuals identified are Yip Sang's third wife (bottom row, fourth from the left) and fourth wife (bottom row, third from the right).
[Head and shoulders studio portrait of a woman in formal Japanese dress]
[Studio portrait of a man and two women in traditional Japanese dress with rickshaw]
Photograph shows a man and a woman on the ground after a rickshaw has fallen backwards. A second woman assists the first woman.
[Studio portrait of a woman in formal Japanese dress kneeling on the floor with drums]
[Studio portrait of six women in traditional Japanese dress with musical instruments and fans]
Photograph shows five women kneeling on the floor with musical instruments, including a wind instrument, drums and stringed instruments, and a woman standing above them holding fans.
[Studio portrait of three women in formal Japanese dress]
[Studio portrait of three women in formal Japanese dress]
Photograph shows one woman standing holding a broom, another woman standing holding a stick and a third woman kneeling on the floor holding a basket above her head.
Chin - Jennie and Lily sisters
Collector/curator's description reads: “Circa 1944, Vancouver. Portrait of two sisters: Lily Chin (left) and Jennie Chin.”
Alvaro - Rosina Agostino - 1947
Collector/curator’s description reads: “Circa 1947, Vancouver. Portrait of Rosina Alvaro (nee Agostino). Photo was taken to send back to family in Italy. She was 20 at the time and working at the library and Main and Hastings. Her grandfathers had come in the 1800s to work on the railroad, then returned to Italy. Yucho was [so] enamoured with this photo that he displayed it in the studio's front window for about seven years.”
Lew - Hoy Moy Sue w unidentified woman
Collector/curator’s description reads: “Late 1920s, Vancouver. Portrait of two young Asian women. On the right is Lew Hoy Moy Sue (also known as Mrs. Ging Lew) soon after she arrived in Canada. She was born February 10, 1900, and came to Canada in February 1920. The woman on the left is unidentified but likely a relative.”
Collector/curator’s description reads: “Circa 1940s, Vancouver. Head and shoulders portrait of Anita Low. The photo is addressed to Frankie, who was a girlfriend of Anita's. The same photo, but colourized, was presented to Norm (who later became Anita's husband).”
Collector/curator’s description reads: “C. 1942, Vancouver. Photo of Evelyn Miotto. She was from an Italian-Canadian family that lived in the Strathcona neighbourhood of Vancouver.”
Collector/curator’s description reads: “Circa 1949, Vancouver. Photo of Evelyn Miotto. An Italian-Canadian she lived with her family in the Strathcona neighbourhood of Vancouver.”
Collector/curator’s description reads: “C. 1932, Vancouver. Studio photo of Jessie Chow, daughter of Yucho Chow, dressed in a Chinese costume. Jessie was the main colourist for the studio, using oils to hand paint black and white photographs.”
Collector/curator’s description reads: “1936, Vancouver. Full-length photo of Jessie Chow, daughter of Yucho Chow, dressed in a Chinese costume. She wore this costume while sitting on a float that was part of the City of Vancouver’s Golden Jubilee celebration. Yucho Chow had helped decorate the float, the photo of which appears in the Yucho Chow Studio family fonds [described under identifier 2021-034.577]."
Jessie Chow - w storefront - June 24, 1945
Collector/curator’s description reads: “June 24, 1945, Vancouver. Photo of Jessie Chow, youngest daughter of Yucho Chow, standing outside the 518 Main Street studio. Jessie worked as the colourist in the studio, using oils to hand paint black and white photos.”
Collector/curator’s description reads: “Late 1930s, Vancouver. Full-length studio portrait of Helena (Wong) Chow, who was married to Peter Chow. She was born in Banff, Alberta in 1917. Her husband, Peter Chow, was oldest son of commercial photographer Yucho Chow. Peter took over the running of the studio when he father died in November 1949. He operated the business with his brother Philip Chow, until they both retired in 1986. Helena and Peter had eight children.”
Association of United Ukrainian Canadians-Lena Skehor and Ann Gac
Collector/curator's description reads: “1940s, Vancouver. Mrs. Lena Skehor and Ann Gac in traditional Ukrainian costumes.”
Shori - Janki w other Hindu women - early 1930s
Collector/curator's description reads: “Circa: early 1930s, Vancouver. Photo of four South Asian women (Hindu) and two young children. The women are dressed in traditional garments. Only one person in this photo is identified: the tall woman with glasses is Janki Shori.”
Chong - Edith (nee Woo) - 1945
Collector/curator’s description reads: “1945, Vancouver. Edith Woo (born 1927). In 1948 married WWII veteran and commercial fisherman, Willie Chong. Together they had three children.”
Collector/curator’s description reads: “Circa 1949, Vancouver. Head and shoulders portrait of Rosemary Louie. She was born in Revelstoke. She married Fred Lowe who owned the Krispee Potato Chip Factory, so was later known as Rosemary Lowe.”
Strowager Lillian Valerie - 1939
Collector/curator’s description reads: “Circa late 1930s, Vancouver. Photo of a young Lillian Valerie Strowager (a caucasian) dressed in a Chinese opera costume. The back of the photo frame is stamped ‘Carrall Laundry. 330 Carrall Street. Side Door. Vancouver. For excellent services and exceptional prices. Suits cleaned and pressed...’.”
Unidentified Chinese woman w wicker chair - 1920s
Collector/curator’s description reads: “Circa 1920, Vancouver. Full portrait of a young, unidentified Chinese woman wearing cheongsam. Behind her is a chair. The photo was found in the family album belonging to Lew Hoy Moy Sue (also known as Mrs. Ging Lew).”
Jessie and Rose Chow - c. 1937
Collector/curator’s description reads: “C. 1937, Vancouver. Hand painted photo of Jessie (left) and Rose Chow, who were the daughters of photographer Yucho Chow. Jessie worked in the studio and becames the main colourist, using oils to hand paint black and white photographs.”