Bookmark and Share

Fonds AM1416 - Charles Marega fonds

Title and statement of responsibility area

Title proper

Charles Marega fonds

General material designation

  • Textual record
  • Photograph
  • Graphic material

Parallel title

Other title information

Title statements of responsibility

Title notes

  • Source of title proper: Title based on contents of fonds.

Level of description


Reference code


Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area


  • 1913-1996 [some copied 19--] (Creation)
    Marega, Charles

Physical description area

Physical description

  • 0.36 m of textual records
  • ca. 700 photographs
  • ca. 25 drawings

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator


Biographical history

Charles Marega (originally Carlos Marega) was one of Vancouver's most prolific sculptors. Born in 1871 in Lucinico, now part of Italy, Marega worked under Herman Panitz in Zurich, marrying Panitz's widow Berta in 1899. The Maregas immigrated to Vancouver in 1909, and shortly thereafter Marega won a commission to build the David Oppenheimer memorial gate at the entrance to Stanley Park. Marega's subsequent work included the Harding memorial in Stanley Park, the Joe Fortes memorial at English Bay, the lions at the entrance to Lions Gate Bridge, and the statue of George Vancouver at City Hall. Marega was also a teacher of sculpture at the Vancouver School of Art (later the Emily Carr Institute of Art and Design). Marega died on March 27, 1939. Known holdings of his sculpture include the Vancouver Museum, the Italian Cultural Centre in Vancouver, the Vancouver Art Gallery and the North Vancouver Museum and Archives. Some of his sculptures may also be seen outside the Legislative Buildings in Victoria.

Name of creator

Biographical history

Doreen Margaret (Peggy) Imredy, the wife of sculptor Elek Imredy, was the author of A Guide to Sculpture in Vancouver (1980). Ms. Imredy was a long-time champion of Charles Marega and his works, and was the author of an article on Marega for the Greater Vancouver Book (1996). Ms. Imredy acquired a large number of Marega's sculptures over the course of her research, subsequently donating them to the Vancouver Museum.

Custodial history

Scope and content

Fonds consists of materials gathered by Peggy Imredy in the course of her research on Charles Marega, including notes, articles and clippings on Marega's life and works; correspondence of both Imredy and Marega; photographs of Marega's work taken by Imredy, as well as some photographs of Marega himself; and ca. 25 original drawings and sketches by Marega.

Notes area

Physical condition

Immediate source of acquisition

Presented by Doreen Margaret (Peggy) Imredy in 2000.


Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

File list available.

Associated materials

Related materials


General note

Formerly known as AM988

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Rights area

Accession area

Related subjects

Related people and organizations

Related places

Related genres